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I currently have one cypress flamenco in stock at $5500. It has an Adirondack spruce soundboard, Mendocino cypress back and sides, Spanish cedar neck, and ebony fingerboard. Binding is Brazilian rosewood, as are the bridge and head facing, and the trim is full mitered back and side purfling, in the style of the Madrid builders.
I make my own rosettes, and black-white stringing (purfling), using holly for white, black dyed pear for black, and cherry in the rosette for medium brown. Decorative rings in the rosette are Brazilian rosewood.
The fingerboard is crowned to an 18" radius at the nut, and a 28" radius at the 19th fret, a "conical section". This aids in playing barred chords, as the shape of the fingerboard matches the curve of your left index finger. I use a large cross section fretwire, #075 from Luthiers Mercantile, for the ease of left hand action that it gives.
Machine heads are bronze Sloanes, with ivoroid buttons. These are excellent quality tuners, used by many of the best classic builders.
The finish is French polished shellac ~ not bulletproof, but it's the most beautiful looking finish, and the best for the tone of the instrument.
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The nut, bridge saddle, and bridge tie-block inlays, are bone, which is superior to all other materials currently available for these purposes.
Traditional hot hide glue is used throughout the body of the instrument for its heat resistance, which is superior to modern polyvinyl glues. Though I haven't been able to prove it yet, I believe that it's also acoustically superior to the polyvinyls.
The instrument comes with a Richard Bruné double arched, hardshell case, with "flight" cases available at an additional cost.
I give a free "Ten thousand note tune-up" with each guitar, usually after six months or so of playing. A new instrument always changes in small ways as it settles in, and this gives me a chance to take care of any minor adjustments that need to be made to suit the playing style of the owner.
I guarantee my instruments against defects in materials and workmanship for the life of the builder. Beyond that it would be a bit difficult for me to go. This guarantee extends to any new owners as well. I take a lot of pride in my work, and it's a bit like having one's children come home for a visit when someone brings one of my guitars back to my shop.
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I maintain a dated list of the people interested in buying a classical or flamenco guitar from me. There is no charge for being on the list, and as instruments become available, I will contact you in the order in which you asked to be on the list. I can make no assurances about when an instrument will be ready for delivery.
The best way to decide whether to buy a guitar from me is to come to my shop in Fort Bragg, and examine it and play it in person. If that is inconvenient, I can send you a short video, in DVD format, with close-ups of various parts of the instrument, and some playing of it to give you an idea of its tone.
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If you want the guitar, send me a certified check for the full amount, including shipping. I will send it to you, and you will have a week to decide if you want to keep it. If you decide to return it, ship it back un-damaged in the carton in which it came, and I will refund your payment, less my shipping costs.
If you ever decide to sell the guitar, contact me, as I will be likely to have someone interested in it.
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