|
~ How do we decide what to work on?
We talk on the phone, and after you arrive, about your interests, level of experience, and tools and machines that you have, or plan to get. My own inclination is to teach you guitar making technique through hands-on work with the tools and materials you have and will be using. I want you to go home with skills that are useful to you in your own shop. If we concentrate on learning technique, we won't produce as many guitar parts, but you take away more skills and knowledge.
Some students are primarily interested in getting a guitar built, so sometimes we divide up the tasks, and I will make a few of the parts. In any case, I want you to be happy with your experience here, and since it's your class exclusively, we can adjust what we're doing to suit you.
~ How long would it take me to build a guitar working with you?
I have a friend who is a division manager for the company that probably made the chips in the computer that you are using right now. He told me that when one of his people comes to him with a time estimate for how long a project will take, he multiplies their number by pi. "At 3.14 times the estimate I'm usually high, but I'm always closer than their original estimate."
So to give a little more direct answer, how far you get depends on how much skill and experience you bring to the project. But very roughly, I would estimate that working together we could get you to the "ready to finish" stage in two to three weeks, provided that you use some pre-formed parts like rosette and bridge. The process could be spread over as long a period as you like, of course. Some people come from far away for an extended stay, and some come for a day or a weekend, or occasionally, just for a morning or an afternoon.
~ How much might a guitar that I make be worth?
If you work carefully, make an instrument that looks nice, plays easily, and has a reasonably good tone, it should be worth between $2,000 and $3,000. One of the most important things to do to insure quality of tone is to go through the wood testing and voicing procedures that I use.
~ What about building a steel string guitar? There is a lot of overlap of methods between classical and steel string guitar construction. The basic woodworking techniques are the same, and if this is going to be your first instrument, I can help you a lot with doing the fundamentals well. Guitar making of any type is a high level of woodworking craft, and there is much to be learned about fine tuning of tools, and working to close tolerances.
~ What is a typical "day"?
I'm an early riser, so we begin at 8:00 AM, and go until 12:00 with a coffee break at 10:00. Not to worry--we've got great coffee--regular, or home roasted espresso! Decaf and a selection of teas are also available. Special requests accommodated.
At 12:00 we break for lunch which takes us to 1:00 PM. From then we go until 5:00, with an afternoon coffee break at 3:00. This amounts to a seven hour work-day, for which I give a discount, and charge for six. This lets me take an occasional phone call without feeling like I'm shorting you.
Students often want to work in the shop on their own in the evenings, and that's fine with me, provided there is no use of power tools. Neck carving is often done in the evening.
~ What about accommodations?
Since the Mendocino coast is a tourist destination, everything from campsites to fancy bed-and-breakfast inns are available nearby. Informal accommodations are often available for my students at very reasonable rates, some with kitchen facilities ~ ask me about them.
|
|
|
~ What about materials?
I have some materials for sale to students, like bridges and neck wood, but I usually recommend that you buy your materials from suppliers like Allen Lutherie Supply, Allied Lutherie, and Luthiers Mercantile (see Favorite Links). These suppliers offer a 10% discount to students enrolled in a lutherie school, and I qualify as one. The discounted materials need to be shipped to me.
~ What tools do I need to bring?
While you're here you can use any of my tools, jigs, fixtures, and machines, so you don't have to bring anything in particular. But it's a good idea to bring tools that need sharpening or tuning, particularly a block plane, chisels and scrapers, if you have them. A shop apron is nice, and I use a 3 power Optivisor a lot, for close work.
My favorite plane is the Veritas standard block plane, catalog #05P22.30, from Lee Valley. At $110 it's a real bargain. It's the only plane I use for guitar making, and I use it a lot. While you're at it, get a spare blade for sharpening to a high angle, for planing figured woods.
|
|